Waking up fairly cough-free this morning, I decided to try and get myself into town for a couple of errands that I didn't feel up for earlier in the week. I took the bus part of the way there, but then walked back.
With the election coming up tomorrow, there were quite a lot of people about in the main square, as all the political parties have information booths up (no doubt they've been there all week). There's also a portable cabin for early voting, and today there was a long queue of people waiting to make use of that.
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Reports in the media say we've already broken previous records this year when it comes to the number of people preferring to vote early - and I made my contribution to that myself back on Monday. (I didn't have to go into town for that, as I could do it at a place closer to home.)
These flags across a shopping street in the city centre are part of the past summer's art biennial. I did not stop to try and figure out the symbolism - and just as well that I didn't, as I'd never have succeeded... Looking it up now on the Art Museum's Instagram page:
"Michelle Eistrup’s series of flags along Stora Brogatan draws on the heritage of Bakongo culture from Central Africa, which spread across the Americas due to the transatlantic slave trade. The flags form a “dictionary” of Bakongo gestures and evoke diasporic knowledge systems. They are organized into four sections, which represent the parallel cycles of the sun and of human life — sunrise and spiritual awakening, noon and maturity, sunset and decline, midnight and regeneration."
On my way home, I walked through a corner of the city park, and noted that there are autumn colours to be seen in some of the trees now.
One of my favourite sculptures - I don't recall its name now, but I think it's been there since one of our first art biennials. For me as "Narnian" (referring to my blog name) it always makes me think of ancient mythological portals between worlds...
Linking to Weekend Street/Reflection #294
